Undertoad • Mar 8, 2017 7:12 pm
Please to answer poll above thank you.
Pico and ME;983853 wrote:LOL, me too Bruce.
Sometimes, at night, if I'm reading or just being very still and quiet, the tinnitus sounds like the walls are picking up a faint radio frequency.
Flint;983893 wrote:I heard "Sunset Grill" by Don Henley at the grocery store on Monday morning, and two parts of that song have held a fascination for me all week:
1) The keyboard phrase that opens the song, and prefaces the verse that comes after the keyboard solo. This is a very creepy phrase, and falls under the category of, "how do you write something like that?"
2) The bridge section that prefaces the keyboard solo. I love dramatically up-transposing 1980s bridge sections. I try to sing this in the shower (tuesday, wednesday, and thursday), although it goes way above my vocal range.
Undertoad;983924 wrote:I mark the song down, though, for two aspects.
1) It up-transposes again, this time by one note, for the final bit. I just personally find that to be a hokey songwriting trick most of the time. (It shares that trick with "My Baby Takes the Morning Train", for example.)
2) As with Mr. Phil Collins before him, here you have a drummer who over-employs the shitty drum machines of the early 80s. Not one real drum on the song. Sir are you not offended.
The drum pattern is awesome. I don't care what it's played on.Undertoad;983924 wrote:Not one real drum on the song. Sir are you not offended.
I had various songs by Simon and Garfunel stuck in my head for about a month and a half. Many different songs of theirs, all the time. That was a weird one.glatt;983955 wrote:
Just now, it was Cecelia by Simon and Garfunkel. There's a cow orker on my floor with that name and she recently walked by. Must be it.
glatt;983955 wrote:
Is it that there is music now, or that I'm noticing it now?