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Here are The Besnard Lakes at their absolute Floyd-iest. This is what I mean by they are Floyd. The first 2 minutes are just slowly setting the scene, starting with an incomprehensible synth sound, distant wailing solo guitar, and sound effects. It takes until 2:05 for the guy to break in with an immensely powerful falsetto. At 3:33 the falsetto drops down into his regular voice with a crazy transition into the meat of the song.
They took 3:33 just to set things up. Nobody does that anymore. We are in an on-demand society, where everything is a click away, everyone is ADHD, Hollywood films are cut like BAM BAM BAM; and everybody listens to songs and nobody listens to albums;
...and The Besnard Lakes are asking you to patiently wait 3:33 while they set up the pins they are going to knock down.
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